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Here’s something a bit off the wall. I was daydreaming and got to thinking about how popular music over the last hundred years or so has moved in bursts of creativity, and from place to place. Its evolution has tended to happen as a series of musical revolutions. Similarly, different places have had their golden eras [...]
It occurred to me today that this decade has no sound readily identifiable with it. No specific sound anyway, or any specific acts. Thinking back to past decades, identifying the signature sound and acts is pretty easy: The 90's: grunge...
He attributed his skill to his early experience as a dancer which, he said, gave him ‘an understanding of rhythmic time’ As the drummer on early hits by the likes of Fats Domino and Little Richard, Earl Palmer helped to invent the backbeat that came to define the sound of rock ’n’ roll. Yet the propulsive rhythm he provided on such seminal 1950s recordings as Tutti Frutti and Long Tall Sally was merely
That New Orleans R&B is among the most significant influences in American music is a given. Precisely where it ranks among the other influencers is subject to long and entertaining debate. Beyond argument, however, is the influence Allen Toussaint has had on New Orleans R&B over the past 50 years. His fingerprints are all over it.
The Song Box Ninth Season! Now in Seaford on the same program: Return To The Dream (Martha Trachtenberg, Tom Griffith, Diane Garisto, & Andy Huenerberg) Return To The Dream Return To The Dream is an alternative acoustic band that draws on folk, pop, rock, blues and bluegrass influences to create their original music. [...]
Heaven Just Got Funkier Earl Palmer, perhaps the most recorded drummer in the history of popular American music, died last Friday at the age of 84. Inducted into the Rock and Roll Hall of Fame in 2000, the New Orleans native set the beat for an amazing variety of artists, including, Fats Domino, Sam Cooke, [...]
Nappy Brown, a veteran R&B vocalist and prolific blues performer, died last weekend at the age of 78. After launching his career in the 1950s, Brown joined such artists as Little Richard, Chuck Berry, and Fats Domino in the first wave of African-American musicians to enjoy popularity amongst white audiences. [TheCharlottePost.com] Matador Records continues its reissuing [...]
Terça-feira, 23 de Setembro de 2008 @ 00:05 Gostei de ler/ver/ouvir[] BloguesMúsica, cinema, arte, fotografia, televisão, banda desenhada, etc... (Quase) tudo e ainda mais alguns assuntos... Política e actualidade. Temáticos.[O Porto] [Língua Portuguesa] [Cromos de Futebol] [Mulheres] [Revistas antigas] [Sondagens] [Anos 80] [Informática] [As ruas do Porto] [Bilhetes de Concertos] [Anúncios de Imprensa]...
Honky Tonk Part II EARL PALMER 1924-2008 "He was my right hand. He was a professor of music... it's like I died myself." - Dave BartholomewEarl Palmer joined Bartholomew's band in 1947, and it was his drums on Fats Domino's 1949 breakthrough record, The Fat Man , that essentially created Rock & Roll. As the number one session man at Cosimo's J&M Studio there on Rampart Street, the big beat he laid...
Another final farewell, this time to the great New Orleans drummer Earl Palmer who has died aged 84. Earl was a central figure in New Orleans R and B, providing the back beat for, among many others, Fats Domino (The Fat Man, I'm Walkin'), Little Richard (Tutti Frutti, Long Tall Sally), Lloyd Price (Lawdy Miss Clawdy) and Smiley Lewis (I Hear You Knocking) at Cosimo's studio. After moving to LA he backed...
R+B drummer EARL PALMER has died at the age of 84. The New Orleans-native died Friday (19Sep08) at his Los Angeles home after fighting a lengthy illness, according to ...
As the drummer on early hits by the likes of Fats Domino and Little Richard, Earl Palmer helped to invent the backbeat that came to define the sound of rock’n’roll. Yet the propulsive rhythm he provided on such seminal 1950s recordings as Tutti Frutti and Long Tall Sally was merely the start of a long and illustrious career that spanned every genre of music.
He attributed his skill to his early experience as a dancer which, he said, gave him ‘an understanding of rhythmic time’ As the drummer on early hits by the likes of Fats Domino and Little Richard, Earl Palmer helped to invent the backbeat that came to define the sound of rock ’n’ roll. Yet the propulsive rhythm he provided on such seminal 1950s recordings as Tutti Frutti and Long Tall Sally was merely