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Afterschool


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ANTONIO CAMPOS ON SCREEN

Filmmaker 25 New Faces writer/director Antonio Campos is written up in the New York Times today by Dennis Lim. About his new feature Afterschool, which plays at the New York Film Festival: Afterschool, which Mr. Campos called a “present-day sci-fi film,” wrestles with a strange and relatively new fact of life that we have barely had time to process. We live in a world where, he said, “it

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NYFF. Afterschool.

"Afterschool, the debut feature of Antonio Campos, a 25-year-old New Yorker, unfolds in the cloistered environment of an elite boarding school, though it is perhaps more relevant to say that it takes place within the brave new world of...

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Antonio Campos's Afterschool: Gossip Girl For Those Who Don't Know Better

Like the squawking teachers in a Peanuts holiday special, the boarding school instructors in Antonio Campos's debut, Afterschool , are slyly kept out of the frame (or else made blurry to us) for most of the picture's first half. Then, when Campos finally brings these adults into focus—after two popular seniors fatally overdose in a campus hallway—it is not to humanize them but to show us the hypocrisy...

2Vote!

New York Film Festival Lineup

Clint Eastwood’s Changeling will be the centerpiece of the 46 th New York Film festival and the Wrestler by Darren Aronofsky will be the closing night selection. The film society of Lincoln announced yesterday. Another highlight of the festival is the revival of the Max Ophuls’s final masterpiece, “Lola Montes,”. It will be featured in the festival’s spotlight retrospective. All the 28 films for the...

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CHE, WRESTLER Make NYFF Lineup

If I was Nikki Finke, I’d start this headline with a “TOLDJA!”, but I’m too obsessed with search engine optimization for that. So as I predicted, Steven Soderbergh’s Che, which has gone MIA since controversially premiering in a two-part, 4.5 hour cut at Cannes, has made the lineup for the Lincoln Center event. Also of note, [...]

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UK film buyers busy in Cannes

The festival still awaits its first major US deal but the Brits are not letting the credit crunch get them down

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Cannes. Afterschool.

"A handsome, widescreen cinematic essay on modes of perception amongst those raised in the TV-internet age, Afterschool marks out 24-year-old Antonio Campos as a filmmaker to watch," writes Howard Feinstein in Screen Daily. "The filmmaker raises some significant philosophical issues....

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Cannes 2008: Review - Afterschool

RT's verdict on Antonio Campos' school strife movie - does it manage to teach us something new about youth culture and the YouTube generation?

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Afterschool

Film Reviews: First-time writer-director Antonio Campos' awareness of the omnipresence of vid footage in the lives of America's youth suggests a fascination with themes of voyeurism, violence and the ethics of image-making.

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HOW DO YOU SAY "DYSFUNCTIONAL" IN FRENCH?

Correction: I was wrong about a thinner crowd at this year's Cannes. At yesterday's screening of a pretentious, portentous bit of mystification titled Afterschool by Antonio Campos (Un Certain Reqard), not a seat went unclaimed in the commodious Debussy theater. I was installed so far left, I effectively saw only half a film throughout. By the end, my eyes had migrated to the left of my face

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Un Certain Regard

The line-up for the Un Certain Regard category was also announced today with a few familiar faces. The line-up is as follows: - Versailles - dir. Pierre Schöller (screenwriter of Hotel Harabati ) - with Guillaume Depardieu - Johnny Mad Dog - dir. Jean-Stéphane Sauvaire - Sol Cowboy - dir. Thomas Clay - Wolke 9 - dir. Andreas Dresen ( Summer in Berlin ) - O' Horten - dir. Bent Hamer ( Factotum ) - Tokyo!...

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'Afterschool': A film on being young and out to redefine what's real

"Afterschool," a film by Antonio Campos, wrestles with the complications of young life in a YouTube world.

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NYFF Review: Afterschool

There are two films at this year's New York Film Festival that have today's youth at their core, yet they couldn't possibly be more antipodal. One is a sumptuous, poetic ode to the Nouvelle Vague, featuring two beautifully scripted characters...

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NYFF: Afterschool

Afterschool plays like a film student’s demo reel of the various ways to signify “alienation”—shallow depth of field, over-lit sterile interiors, ambient sounds of fluorescent light hums, expressionless actors, methodical tracking shots frequently overrunning or catching up to their...